›The Bat Effect‹
Rym Nouioua is an ecologist in the early stages of her carrier (MSc) based in Bremen/Germany. Both her artistic and scientific work revolves around the topic of environmental changes and their impacts on human and non-human interactions. Thereby, she develops noise music that includes bat sounds, and deals with questions concerning natural and wildlife conservation. / www.rym-nouioua.com

Sascha Brosamer
..is founder of Global Forest, an artist residency in the former studio of Martin Kippenberger in the Black Forest/Germany and curator of Dual Sessions, a multidisciplinary format that brings together industry, science, art, music and pop. Most recently he lived and worked as a scholarship holder at the Cité Internationale des Arts in Paris, where he realized exhibition and performance projects such like Louvre Underground. / www.saschabrosamer.com

Nuances d‘engrais
.. is the solo project of Teddy Larue. He is also active as a sound artist. With his project Nuances d‘engrais, the Leipzig-based artist moves between heavy bass and ambient uptempo with breakcore influences, creating a sound tunnel for distorted dance floors.

›Sextoysnoise‹
..is a sound-noise performance by Marie Kollek and Teddy Larue that deals with female sexuality, its social oppression and violent norming, and (uncontrolled) desire. The performance moves between visual art and experimental, musical expression. With the medium of sex toys such as vibrators, whips and chains, the artists create sounds with the use of contact microphones and microphones, which they process with machines and effects and merge into a noise bed. / soundcloud.com/nuancesdengrais

Fatigue Suspecte
.. is a duo from Brest, France, who takes inspiration from Breton freeparty
culture, horror movies, folklore and and erotic iconography to create a narration using hardcore techno, noise music and foggy ambient sounds. / soundcloud.com/fatiguesuspecte

Zbigniew Chojnacki
… is an accordion/live electronics player, improviser. The music and sounds sees the ease and conventionally. The most important is dialogue and encounter with another human. Any form emit a sound, it is facilitated to make contact with people, is inspired by the elements most often not directly related to music, as he says ›old washing machines, a blade of grass, the sound of the engine of the bus, or even usually a chair in the middle of a scene can be inspiring. Every concert is completely different. The only constant element is the instrument.’‹ / www.youtube.com/watch?v=ZdZ553-fr1Y&t=1244s

www.anachronism.de